poetry

Here's Where You Start Whispering 8.11.22 Draft

Image created by Midjourney, a young woman’s downcast face surrounded by a symmetrical halo of jagged black shadows (tar?)

You have to have had a bad trip at least once

to endure life in this godforsaken millennium

where time moves at two speeds

the very fast

and the very long;

where the periphery 

has become the ground;

where images of murdered children                [the sound of their screams removed]

kaleidoscope 

         fractally

              viscerally

                     unrelentingly 

taking the shape of genocide

then refugees drowning at the lips of angry borders

now the poisoned rain of our slow shared climate death.


Because you always come into a trip with such grandiose expectations:

your friend has a shroom connection

someone knows a cool spot

and no one has anywhere to be the next day,

and then you find yourself huddled in the bathroom,

sweating and crying,

as you watch the Day-Glo bubbles of the city’s breath rise to the surface of the toilet water and

disappear without bursting.


Because you know we came into this millennium with that big Times Square energy

that shared Y2K hysteria, 

our first chance to rehearse for a tragedy with potentially global consequences

without actually preparing for it.


And then one year in

four planes were hijacked

by pilots who trained on US soil

but left class before learning

how to land.

And for years all anyone could see 

was two tall buildings with flames leaping delicately only from the top floors.

and not the way they both

astonishingly 

disappeared 

leaving pipe-shaped billows of smoke,

that smelled of something terrible

burning, 

and cast a decades’ long shadow.


This is almost the literal underbelly of our expectations.


So now, when you counsel the young girl huddled over the toilet to

Breathe,

or,

vomit if you have to,

or shit

there’s no point in fighting it

you know of which you speak.


Still trembling against the poison she feels in her bowels and blood

she struggles to slow and deepen her breaths.


Here’s where you start whispering

Shh, my dear one, shh.

There is no respite

and no reprieve

and no lost eden to which you can credibly long to return

not post-war plentitude

not the Christian Middle Ages

not pre-Christian nature.

It has never been entirely safe for us,

for women

and there is no figure you can turn to

or return to

for safety 

or wholeness


But, I’m here.


Your solid hand 

traces warm circles

on her back.


It’s automatic 

the tracing

and the whispering

like a mother who continues to rock back and forth lulling the child in her arms 

long after he has fallen asleep

long after he is too old to be held in her arms and rocked to sleep.


You know this is the least amount of comfort you can offer

and the most. 


You know how easily

even you

can turn into a swampy black figure hunched hungry

in her past.


You know that this thin stretch of intimacy

—you know that it’s thin.


There is still solid ground, 

you coo, 

but you don’t have to reach for it yet.


Not here where the breaches are sometimes spectacular plastic vortexes in the ocean, 

and sometimes merely arsenic in the Johnson & Johnson’s baby wash.


Not here, where the predators are 

our familiars.


You have to have lived

through the blindfold coming off

and staying

horrifically off

for minute-hours

of hijacked attention

microscope eyes

running over histories of exploitation, extraction, and extermination

and all of the manic fads, waves, strivings

for relief

for respite

for control

Bobby Socks &

Taebo 

the poorly-sublimated grotesqueries of bad faith, 

what Césaire called 

the West’s “fetid guts.”


How else can you convince this huddled girl

wondering how she can possibly live through attention heightened to the point of suffocation

that being pinioned 

like a fly

in the amber

or tar 

of capacious and unendurable seconds 

is

oddly

endurable.



Here's Where You Start Whispering

You have to have had a bad trip

at least once

to endure life in this godforsaken century

where time moves at two speeds

the very fast

and the very long.

Because eventually this will end,

you counsel the scared girl

huddled in the corner

of a dimly-lit crowded room,

it’s only a matter of breathing through it.

Here’s where you start whispering

Shh, my dear one, shh.

your solid hand

on her back

tracing warm circles.

It’s automatic

the tracing

and the whispering

like a mother who continues to rock back and forth lulling the child in her arms

long after he has fallen asleep

long after he is too old to be held in her arms and rocked to sleep.

Shh, my sweet one, shh.

It is true

that there is no respite

and no reprieve

and no lost eden to which you can credibly long to return

not post-war plentitude

not the Christian Middle Ages

not pre-Christian nature.

It has never been entirely safe for us,

for women

and there is no figure you can turn to

or return to

for safety

or wholeness

But, I’m here.

You know this is the least amount of comfort you can offer

and the most.

You know how easily

even you

can turn into a swampy black figure hunched hungry

in her past.

You know that this thin stretch of intimacy

—you know that it’s thin.

There is still

solid ground, you coo,

but you don’t have to reach for it yet.

Not here,

where the periphery has become the ground

where milling spectators step off the curb into suddenly empty streets

a shiftless parade taking pictures with disposable cameras

of two impossibly tall buildings with flames leaping delicately only from the top floors

that will soon astonishingly disappear

one by one

leaving pipe-shaped billows of smoke

and smelling of something terrible

burning.

Not here, where the breaches are not always spectacular plastic vortexes in the ocean,

but merely arsenic in the Johnson & Johnson’s baby wash.

Not here, where the predators are our familiars.

You have to have lived

through the blindfold coming off

and staying

horrifically off

for minute-hours

of hijacked attention

microscope eyes

running over histories of sadness

and all of the various fads, waves, strivings

for relief

for respite

for control

Bobby Socks &

Taebo

How else can you recognize

this manic hyper-conscious shuttle toward an inevitable end

as the past by which

we will all be measured,

whose right side

we will long to have been on.

How else can you convince her

that she hasn’t suddenly stepped

into amber

or tar.

Time has always been

this capacious

and suffocating,

and you know that this this level of heightened

attention

is unendurable.

Or, you murmur to the huddled girl

who is wondering how she’ll live through this,

or how she’ll be able to stay awake with your palm tracing warm solid circles on her back,

oddly

endurable.

Ars Memoriae, or Permit Patty Leaves a Message

Ars Memoriae, or Permit Patty Leaves a Message

Why do you watch all these videos shot by black men and women whose voices we hear but whose faces we never see
that document the violence against them
in case the people who come to protect and serve them don’t
or they’re not there when it comes time to testify
or there’s never any chance to?

Why watch all of this nastiness? And hatred?

They are pilgrimages

temporary journeys for people privileged to not have to take the videos ourselves
that
to do our age the honor of
 seeing it for what it is

seeing it from the eyes of the woman with the camera who cannot dare to feel outraged at this outrageous behavior

You can’t get out of the way you see the world

how you’ve been raised into it by teachers myriad and diverse

but you can try to see

the thin translucent barrier

between brain and skull

that you can’t take off
or entirely see

Is the project of life 
to try to see
what your perspective might look like?

To flatline acid trip our way to

oceanic deliverance

categorylessness

prelapsarian plentitude?

Do we reverse the Fall

into coercive civilization

by an uncivilized order

when we chart its crimes?

Is this why we line up outside of Anne Frank’s house in Amsterdam

in the cold at night

and then funnel through

a gradual and subtly dawning

claustrophobia

propelled by the waves of people behind and in front of us?

Do there have to be hordes for it to work?

If the space wasn’t filled would there be this

panic

as we recede into smaller

and smaller

spaces

on vertiginous steps that creak and creak and creak,

into their hideout

where the audio guide goes silent

past photos glued to the wall, 
a map of the Allies’ movement from Normandy dotted with scattered and hopeful pins

into the attic terminus where there is space for only two or three?

A small sign by the door explains

that originally the room ended here

the door to the street

was added later

for us

because the thought of turning around and squeezing through the throngs crushing behind us sucks the air out of my chest

which now swells with gratitude,

because the room they were trapped in

has a door
for us.

Like the video on Facebook that ends when the police arrive.

“I wouldn’t have stopped recording when the police arrived,”

someone comments.

When would you have stopped?

It is not deliverance we are looking for,

a gaze that erases itself,

but an honest depiction of the only gaze we can know

a map of its particular contours

the great work of a fully-realized life

replete with gaps and lacuna

moments of incredible attention

and then a door
through which

we can pour into the street hungry, thirsty, and free
to go home.

“It is not death we fear but the leaving of what we’ve loved.” -Chorus, Thyestes

for Toni Wilson

Love is someone I want to tell everything to
and then don’t
Someone with whom I rehearse
imaginary conversations
they will only ever read.

Withheld intimacy
concentrates
into incantation
finally betraying
years of formal
and infrequent dispatches
like an actor’s silence that only becomes revelatory
when it is broken.

But you died before I could finish even this tribute.
Someone called me when it was too late
and I couldn’t even tell you
I was thankful
and filled with regret
that you didn’t know
the magnitude of that thanks.

I could only realize it here
in the course of a poem to commemorate you
that perhaps it didn’t have to be an epic.
We could have put on Seneca together instead
something truly unstageable

He is meditating, either attending to Tantalus’ GHOST or else inventing him

You couldn’t resist the temptation
to stage the unspeakable gulf
between what can be experienced
and what can be expressed.

How could I know there wouldn’t be time enough to unspool each thread into its own filament?
How might you have received the lesser thread?

There is no recompense in the warmth of the writing of it
and yet, my beloved teacher, I continue to write.

Click here to see the live reading at Lockdown Poetry Jam.